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Transcript (englisches Original)

Buffy

The Initiative created this thing and they can't stop it, but we will.

Giles Voiceover

Previously on Buffy the Vampire Slayer...

Overhead shot of Willow, Giles, and Xander doing the spell in "Primeval."

Willow Voiceover

Power of the slayer and all who wield it, last to ancient

first, we invoke thee.

Giles lighting a candle.

Willow

Make us mind and heart and spirit join.

Shot of Willow's hand laying down a Tarot-sized card.

Willow

Spiritus, the spirit.

Shot of Xander laying down another card.

Xander

Animus, heart.

Shot of Giles laying down another card.

Giles

Sophus, mind.

Shot of Willow holding the last card.

Buffy

And Manus, the hand.

Shot of Buffy with bullets dissolving in front of her.

Buffy

You could never hope to grasp the source of our power.

Buffy reaching into Adam's chest and pulling out his power supply.

Adam falling over dead.

Wolf howl.

Opening credits.

(No commercial)

Guest starring Kristine Sutherland, Amber Benson, Mercedes McNab, David

Wells, Michael Harney, George Hertzberg, Emma Caulfield as Anya, Seth Green

as Oz, and Armin Shimerman as Principal Snyder.

Written and directed by Joss Whedon.

BUFFY

Are you sure you'll be all right? Cause I can be there in the morning.

RILEY

(shakes head) It's just a debriefing.

(We see they're at Joyce's house, standing by the door. Giles is in the

dining room. Willow sitting on the stairs.)

RILEY

They're not gonna make me disappear, and they're not pinning

anything on me. I got Graham and a lot of the guys testifying I'm the

reason they're alive. I might actually get out of this with an honorable

discharge.

GILES

(eating something) In return for your silence, no doubt.

RILEY

Oh yeah. Having the inside scoop on the administration's own Bay of

Mutated Pigs is definitely an advantage.

WILLOW

(cheery) It's like you're blackmailing the government. (They look

at her) In a ... patriotic way.

(Riley smiles.)

RILEY

I'll call you when it's over.

(He and Buffy smooch.)

XANDER

(offscreen) Dinner is served.

(Xander enters with a bowl of popcorn. Joyce behind him.)

XANDER

And my very own recipe.

(Willow takes a handful.)

WILLOW

Ooh, you pushed the button on the microwave that says "popcorn"?

XANDER

(shakes head) Actually, I pushed "defrost," but, um, Joyce was

there in the clinch.

RILEY

Well, you guys have fun tonight. (Extends his hand to Joyce) It was

very nice meeting you.

RILEY

Bye.

BUFFY

Bye.

(Riley leaves. Buffy shuts the door behind him. We see Joyce is holding a

bowl of peanuts.)

BUFFY

(innocent face) No.

(They all go into the living room.)

XANDER

Let the vid-fest begin.

GILES

(to Joyce) You sure you won't join us?

Xander on the floor) I'm tired. I can't believe you're not exhausted. Have

you even slept since...

GILES

Still feel a little bit too wired.

WILLOW

Mm. Yeah, that spell, that was, that was powerful.

BUFFY

Don't think I *could* sleep.

(We see Buffy and Willow curling up on the sofa with blankets over them.)

XANDER

Well, we got plenty of vids. And I'm putting in a preemptive bid

for "Apocalypse Now," huh? (Holds up the video)

WILLOW

(scowls) Did you get anything less heart-of-darkness-y?

(Joyce smiles, puts down bowl)

XANDER

Apocalypse Now is a gay romp! It's the feel-good movie of whatever

year it was.

BUFFY

(not buying it) What else?

(Joyce and Giles exchange a smile and she heads for the stairs.)

XANDER

Don't worry. Got plenty of chick-and-British-guy flicks too. These

puppies should last us all night.

(Shot of Joyce smiling at them as she climbs the stairs.)

(Shot of a hand putting a tape in the VCR and pressing Play.)

(Pan up to the TV screen. The FBI warning comes up.)

(Shot of Giles, Buffy, Willow, and Xander fast asleep in their seats.)

Commercial.

(The four still asleep. Giles in a chair, Buffy and Willow on the sofa,

Xander on the floor. Zoom in slowly on Willow, clutching a red blanket

against herself.)

(Fade to Tara's face. She appears to be lying on her stomach, resting chin

on crossed arms. We see a bare shoulder.)

TARA

I think it's strange. I mean, I think I should worry that we haven't

found her name.

WILLOW

Who, Miss Kitty?

(Shot of their kitten, playing with a ball of red yarn in slow-motion.)

TARA

You'd think she'd let us know her name by now.

WILLOW

She will. (Looking down at Tara) She's not all grown yet.

TARA

You're not worried?

WILLOW

I never worry here. (Smile) I'm safe here.

TARA

You don't know everything about me.

WILLOW

Have you told me your real name?

(Tara smiles.)

TARA

Oh, you know that.

(Willow smiles, reaches for something.)

(Shot of a paintbrush dipping into ink jars.)

TARA

They will find out, you know.

(Shot of Willow's face.)

TARA

About you.

WILLOW

Don't have time to think about that. (Frown) You know I have all

this homework to finish.

(The camera pulls back so we can see Tara is lying face-down on her bed,

naked, and Willow is painting on her back.)

TARA

Are you gonna finish in time for class?

WILLOW

I can be late.

TARA

But you've never taken drama before.

(Shot of Willow dipping the paintbrush again, moving it across to Tara's

back, which is covered with Greek symbols.)

TARA

Might miss something important.

(Pause)

WILLOW

I don't wanna leave here.

(Tara twists back to look at her.)

TARA

Why not?

(Willow stands up, looking down at Tara. She turns away toward a dark red

curtain. Walks over to it.)

WILLOW

It's so bright.

(Pulls back the curtain to reveal a brightly sunlit desert. The light falls

on Tara, who looks over.)

WILLOW

(looking back at Tara, still holding the curtain open) And there's

something out there.

(Shot of the desert, straggly plants, rocks. We briefly see something

(someone?) moving, then it's gone.)

(Shot of the kitten stalking forward toward the camera, in slow-motion.)

(Cut to Willow walking down the halls of Sunnydale High, looking anxious.

She walks up to Xander and Oz.)

XANDER

Hey.

WILLOW

(casual) Hey, guys. (Keeps walking)

OZ

Heard you're taking drama. (The guys walk after her)

WILLOW

Uh-huh.

OZ

It's a tough course.

WILLOW

You took it? (Walks up to a locker, starts trying to open it)

OZ

Oh, I've been here forever.

XANDER

So whatcha been doin'? Doing spells? (To Oz) She does spells with Tara.

OZ

Yeah, I heard about that.

(Willow still trying to open the locker.)

(Bell rings.)

WILLOW

(anxious) I'm gonna be late. (Walks off)

XANDER

Sometimes I think about two women doing a spell ... and then I do a

spell by myself.

(Oz looks at him. Xander looks at Oz, then quickly away.)

(Cut to Willow entering the backstage area. Costumes hanging on a rack.

People getting into costume. Makeup table with mirrors. Sound of an

orchestra tuning up. People wearing all kinds of different costumes. Willow

walks around looking lost.)

(Harmony runs up to her. She's dressed as a Swedish Milkmaid with two braids.)

HARMONY

Isn't this exciting? Our first production! I can't wait till our

scene! I love you! Oh! (Hugs Willow. Suddenly drops the fake friendly act.)

Don't step on my cues.

WILLOW

Production?

(We see Buffy peeking out through the curtain at the audience. She runs

over to Willow and Harmony. She's dressed as the lead character in

"Chicago": short straight black hair, short tight black dress.)

BUFFY

Ohmigod. The place is packed. Everybody's here! Your whole family's

in the front row, (cheerful) and they look really angry.

WILLOW

There's a production?

HARMONY

(rubbing Willow's shoulders) Oh, somebody's got stage fright.

WILLOW

Isn't this the first class?

(Riley approaches, dressed as a cowboy.)

RILEY

Well, you showed up late, or you'd have a better part. (Smiling) I'm

Cowboy Guy.

BUFFY

(to Willow) Your costume is perfect. (Whispers) Nobody's gonna know

the truth. You know, about you.

WILLOW

(bemused) Costume?

BUFFY

(pouting) You're already in character! Oh, I shoulda done that!

(Stomps foot, turns away)

WILLOW

But how come there's - I mean, I was given to understand that a

drama class would have, you know ... drama class. I mean, we haven't even

rehearsed!

HARMONY

(snorts) Well, maybe some people haven't. (Smiles up at Riley)

RILEY

I showed up on time, so I got to be Cowboy Guy. (Harmony nods)

WILLOW

(to Buffy) I just think it's really early to be putting on a play.

I, I don't even know what... (Eyes widen) This isn't Madame Butterfly, is

it, because I have a whole problem with opera.

GILES

(offscreen) All right, everyone! (Buffy looks excited. Sound of

Giles clapping hands for attention) Pay attention! (Everyone gathers around

Giles) In just a few moments that curtain is going to open on our very

first production. Now, everyone that Willow's ever met ... is out in that

audience, including all of us. That means we have to be perfect. (Shot of

Willow looking upset) Stay in character, (Willow sees something hairy

behind a prop. She stares) remember your lines, and energy energy energy,

especially in the musical numbers!

(Shot of Buffy looking really excited.)

WILLOW

(whispering) Did anyone see that?

GILES

Acting is not about behaving, it's about hiding. The audience wants

to find you, (We see Harmony behind him, wearing vampire face, grabbing his

shoulders and trying to bite him) strip you naked, and eat you alive, so

hide. (to Harmony) Stop that. (She stops)

GILES

Now, costumes, sets, um, the things that you, uh, you know, uh, you,

um... (Shot from above. We see the cast gathered, Harmony still jumping up

behind Giles trying to bite him) you hold them, you touch them, uh, use

them, um...

HARMONY

Props?

GILES

No.

RILEY

Props?

GILES

Yes! (Points at Riley) It's all about subterfuge. (To Harmony)

That's very annoying. (To everyone) Now go on out there, lie like dogs, and

have a wonderful time. (Shot of Riley looking excited) Now, if we can stay

in focus, keep our heads, and if Willow can stop stepping on everyone's

cues, (shot of Willow looking anxious) I know this'll be the best

production of "Death of a Salesman" we've ever done. (To Harmony) Stop it.

(Loudly) Good luck everyone! Break a leg! (Pushes through them and leaves)

(Excited chatter. Willow frowns.)

(Sound fades out. We still see the costumed students chattering and moving

around, but it's silent. Willow walks through the crowd looking confused.

To the side, in the darkness, she sees a bald man wearing glasses.)

(He shows her a table with slices of American cheese laid neatly in a row.)

(Willow frowns. Eerie music starts up. Willow walks past a curtain. She's

in a narrow tunnel made of red stage curtains on either side. She walks

slowly through it. Creepy music. It's dark. Then Willow walks into a beam

of light, and Tara is there.)

TARA

Things aren't going very well.

WILLOW

(agitated) No! This drama class is just ... I think they're really

not doing things in the proper way, and now I'm in a play and my whole

family's out there, and ... why is there a cowboy in "Death of a Salesman"

anyway?

TARA

(frowns) You don't understand yet, do you?

(Willow frowns, looks around.)

WILLOW

(whispers) Is there something following me?

(Tara nods.)

TARA

Yes.

WILLOW

Well, what, uh, what should I do? The, the play's gonna start soon,

and I don't even know my lines.

TARA

The play's already started. That's not the point.

(Willow looks alarmed)

(Cut to the stage. Riley on the left with hands on his belt. In the middle,

Harmony wearing a yoke with buckets on either end. On the right, Buffy

reclining seductively on a sofa.)

RILEY

(swaggers forward, pushes up cowboy hat) Why, hello, little lady.

Can I hold those milk pails for you? (Laughter from audience)

HARMONY

Why thank you, but they're not very heavy. (Overacting) Why have

you come to our lonely small town, which has no post office and very few

exports?

RILEY

I've come looking for a man. (Looks directly into camera) A *sales*man.

(Cut to Willow looking anxious.)

TARA

(offscreen) Everyone's starting to wonder about you. The real you. If

they find out, they'll punish you, I ... I can't help you with that.

WILLOW

Well, what should I ... what's after me? Is it something I-I was

supposed to do? W-was I supposed to-

TARA

Shh. (Looking around)

(Willow looks around. Hears a buzzing noise.)

WILLOW

(whispers) What was that?

(Tara looks worried.)

(Cut to stage. Riley in the foreground facing the audience. Buffy in the

middle ground facing Riley. Harmony in the background, sitting on the sofa,

crying.)

BUFFY

(with contempt) But what else could I expect from a bunch of

low-rent, no-account hoodlums like you? Hoodlums, yes, I mean you and your

friends, your whole sex, throw 'em in the sea for all I care, throw 'em in

and wait for the bubbles, men with your groping and spitting all groin no

brain three billion of you passing around the same worn-out urge. Men! With

your ... sales!

(She says all this in one breath without pause or inflection. Harmony sobs

throughout and Riley stands expressionless.)

(Cut to Willow looking over her shoulder. She turns back and Tara is gone.)

WILLOW

(looking scared, whispers) Tara? Tara, okay, this really isn't fu-

(A stake or dagger slashes through the curtain right by her face. She

gasps, turns away. A hand covered in rags reaches out of the other curtain,

tries to grab her. She's knocked to the floor. She screams and covers her

head with her hands. Another hand reaches for her.)

BUFFY

Will!

(Buffy leaning through the curtains to grab her.)

WILLOW

Buffy! Oh god.

BUFFY

Come on. (Helps her up and through the curtain. They're in a

Sunnydale High classroom.)

BUFFY

Stay low. (They crouch down and creep between the desks) What did it

look like?

WILLOW

I don't know. I-I don't know what's after me.

BUFFY

Well, you must have *done* something. (Frowning in disapproval)

WILLOW

No. I never do anything. I'm very seldom naughty. I, I just came to

class, and, and the play was starting.

BUFFY

(straightens up) Play is long over. (Stares at Willow) Why are you

still in costume?

WILLOW

Okay, still having to explain wherein this is just my outfit.

(Gesturing to her clothes)

BUFFY

Willow, everybody already knows. Take it off.

WILLOW

No. No. (Looks around nervously) I need it.

(Buffy rolls her eyes.)

BUFFY

Oh, for god's sake, just take it off.

(Spins Willow around and rips her clothes off.)

BUFFY

That's better. It's much more realistic.

(Suddenly all the desks have students in them. Buffy turns and goes to take

her seat.)

HARMONY

See? Isn't everybody very clear on this now?

(We see Anya sitting next to Harmony, giggling. The whole class is giggling.)

(Shot of Willow in her nerdy schoolgirl outfit and long straight hair from

BTVS first season. Holding some paper.)

ANYA

My god, it's like a tragedy.

(Shot of Buffy looking at Willow.)

OZ

(to Tara) I tried to warn you. (Gives Willow a disgusted look)

ANYA

(still giggling) It's exactly like a Greek tragedy. There should only

be Greeks.

(Willow looks around the room nervously, looks down at her paper.)

WILLOW

(licks lips) My book report. This summer I, I read "The Lion, the

Witch and the Wardrobe."

XANDER

(loudly, to ceiling) Oh, who cares?

(Willow looks hurt. Sound of giggling. Shot of Oz nuzzling Tara's cheek

while she giggles.)

WILLOW

This book ha-has many themes...

(Something bursts onscreen and knocks Willow down. She screams.)

(Shot of Buffy putting her head down on her arms on the desk, looking

bored. Sound of Willow screaming and the attacker growling.)

WILLOW

Help! Help me!

(Shot of Xander looking bored.)

(Shot of Oz and Tara giving each other conspiratorial smiles.)

WILLOW

Help me!

(Growling noise continues as Willow struggles. The creature/person

attacking Willow has dark skin and long matted dark hair, and is wrapped in

rags. It bends as if to bite her neck. Closeup of Willow's face with the

dark hair half-obscuring it. Her eyes widen. The skin on her face wrinkles

and her eyes cloud.)

(Cut to the real Willow on the couch, asleep, still covered with the red

blanket, twitching and making noises as if choking.)

Commercial.

(Willow still twitching and gasping for air. Pan down to Xander who

suddenly sits up.)

XANDER

I'm awake. I'm good. Did I miss anything? (Looks at Willow, who's

still asleep and twitching)

GILES

(eating popcorn) Not very much at all really.

BUFFY

(eating popcorn) Bunch of massacring.

(Xander looks at TV, raises eyebrows.)

(On TV, a soldier carrying a gun walks through a forest.)

(Xander looks interested) Damn this war!

GILES

I have to say, I really feel that "Apocalypse Now" is overrated.

XANDER

No, no. (Points at screen) It gets better.

XANDER

I remember that it gets better.

(Buffy looks bored.)

BUFFY

Want some corn? (Holds out bowl to Xander)

XANDER

(turns head) Butter flavor?

BUFFY

New car smell.

XANDER

Cool. (Leans across Willow to take a handful) What's her deal?

(indicating Willow)

BUFFY

Big faker.

GILES

(still looking at TV) Oh, I'm beginning to understand this now. It's

all about the journey, isn't it?

(Xander rolls his eyes.)

XANDER

Well, thanks for making me have to pee. (Gets up)

BUFFY

You don't need any help with that, right?

XANDER

(heading for stairs) Got a system.

(Xander climbs the stairs. He emerges in the upper hallway. Joyce appears

behind him, wearing a revealing red nightie.)

(Xander turns.)

XANDER

Hey Joyce. Mrs. Summers. (Takes a step closer) We're not making too

much noise down there, are we?

XANDER

Oh, I should probably go catch up.

XANDER

I move pretty fast. You know, a man's always after-

XANDER

(shrugs) I'm a conquistador.

(Pan across Joyce's breasts.)

sure it isn't comfort?

XANDER

I'm a comfortador also.

I've learned about boys.

XANDER

That's cool about you.

(Shot of Joyce giving him a seductive look.)

(Shot of Xander staring at her.)

(Shot of Joyce. Again we hear her voice although her lips don't move)

(Pan over to her bed with the covers turned down. Xander looks from it to her.)

XANDER

Um, yeah. (Confidently) I'd like you. I'm just ... gonna go to the

bathroom first.

(Xander enters the bathroom, closes the door, lifts the toilet lid, unzips

his pants. Suddenly he looks over and sees a lab full of a whole bunch of

Initiative people watching him: scientists in white coats in the

foreground, writing on clipboards, soldiers in the background wearing

fatigues. Xander raises his eyebrows, zips his pants back up.)

XANDER

Okay, I'm gonna find another bathroom.

(Opens the door and leaves, still watching them over his shoulder. Crosses

the hall and goes through the opposite door. Now he's in his basement,

dark. The door at the top of the stairs is closed, doorknob rattling

ominously.)

XANDER

(loudly) I didn't *order* any vampires.

(Knob rattles louder and louder. Then we hear pounding on the door.)

XANDER

(nervous) That's not the way out. (Backing away)

(Cut to a playground, daylight. Giles and Spike are swinging on swings,

both dressed in Giles-type tweeds. Buffy playing in the sandbox.)

(Xander walks up.)

XANDER

Hey, there you are.

BUFFY

(putting sand in pail with plastic shovel) Are you sure it's us you

were looking for?

(Giles smiles at her.)

SPIKE

Giles here is gonna teach me to be a Watcher. Says I got the stuff.

GILES

Spike's like a son to me. (They both smile and continue swinging)

XANDER

That's good. I was into that for a while, but... (nods toward the

street) I got other stuff goin' on.

(Long shot of the ice-cream truck surrounded by kids.)

(Closer shot of Xander in the truck, wearing his striped shirt and hat,

serving ice cream to kids.)

XANDER

(in playground) You gotta have something. (Looks at Buffy) Gotta be

with movin' forward.

BUFFY

(like a proud little kid) Like a shark.

XANDER

Like a shark with feet and ... much less fins.

SPIKE

(like a proud little kid) And on land!

GILES

Very good!

(They keep swinging.)

XANDER

Buffy, are you sure you wanna play there?

(Buffy gives him a pouty look like a little kid told not to do something.)

XANDER

It's a pretty big sandbox.

BUFFY

I'm okay. (Suddenly we see her against the backdrop of the desert

from Willow's dream. Rocks, sand, scraggly trees) It's not coming for me yet.

XANDER

I just mean ... you can't protect yourself from ... some stuff.

(Buffy looks directly at him. The playground backdrop is back.)

BUFFY

I'm way ahead of you, big brother.

XANDER

Brother?

(Buffy looks at him expressionless. Soft music: a woman vocalizing without

words.)

(Spike and Giles swinging higher and higher.)

GILES

Go on, put your back into it! A Watcher scoffs at gravity. (They

continue swinging. Woman continues humming.)

(Shot of Buffy still expressionless.)

(Shot of Xander squinting at her.)

(Shot of the other Xander in the truck, watching them.)

(Shot of the four of them from the truck-Xander's perspective.)

(Truck-Xander pulls back from the window, goes to the wheel, although the

truck is already in motion: tree-lined streets going by. Anya is sitting in

the passenger seat doing something with her hands.)

(Xander sits in the driver's seat. Anya looks at him.)

ANYA

Do you know where you're going?

(Xander looks at her, surprised.)

ANYA

I've been thinking about getting back into vengeance.

(We see her playing with a lollipop in its wrapper.)

(Xander takes his striped hat off, puts it on the dashboard.)

XANDER

Is that right?

ANYA

Well, you know how I miss it. I'm so at loose ends since I quit. I

think this is going to be a very big year for vengeance.

XANDER

But ... isn't vengeance kind of ... vengeful?

ANYA

(petulant) You don't want me to have a hobby.

XANDER

Not a vengeance hobby, no! It's dangerous. People can't do anything

they want. Society has rules, and borders, and an end zone. It doesn't

matter if-

(He hears giggling, turns.)

(We see Willow and Tara in the back of the truck, snuggling and nuzzling.

Both wearing exaggerated eye makeup.)

XANDER

Do you mind? I'm talking to my demon.

(Shot of Willow in a very short black bustier, Tara in a short black skirt

and very revealing white blouse. Tara has one leg bent and Willow's hand is

on her thigh. Both have heavy black eye makeup and thick red lipstick.)

WILLOW

Sorry.

(Xander stares at them. Both girls smile seductively at him. We hear Tara's

voice although her lips don't move.)

TARA

We just think you're really interesting.

XANDER

Oh, I-I'm going places.

WILLOW

I'm way ahead of you. (Caressing Tara's leg.)

(Closeup of Willow and Tara grinning at each other, nuzzling. Willow

whispers in Tara's ear. They both giggle.)

(Pan down to Willow's hand stroking Tara's thigh.)

XANDER

(riveted) Is that right?

(They look at him.)

WILLOW

Watch this.

(Willow puts her hand on Tara's waist. Tara puts her hand on Willow's

shoulder. They lean toward each other.)

(Shot of Xander's wide-eyed face. We hear kissing noises and soft moans.

Extended shot of Xander staring.)

TARA

Do you wanna come in the back with us?

(Xander stares open-mouthed.)

ANYA

Oh, go on.

(Xander stares at her. Sexy music starts.)

XANDER

I don't have to.

ANYA

I'll be fine. I think I've figured out how to steer by gesturing

emphatically.

(Xander looks at the road, looks at Anya, looks back. Gets up.)

(Shot of Anya gesturing emphatically at the road.)

(Xander walks past the ice-cream-selling window in the side of the truck.

Outside, we see more tree-lined streets rushing by. The girls are gone.)

(Xander walks to the back of the truck, climbs up onto a loft-like thing,

past a big pile of newspapers and other random debris. He shoves a cooler

out of the way, falls down onto the floor in his basement. Looks around,

exasperated.)

XANDER

Girls?

(The upstairs doorknob begins rattling again. Xander walks forward

nervously. Suddenly there's pounding on the door too. He looks up, scared.)

XANDER

(yells) I know what's up there!

(Pounding continues. He backs away, turns, sees the bald man holding up a

plate of cheese slices.)

(More pounding, growling. Xander goes past the bald man and out the back door.)

(Xander is in the Sunnydale High hallways, but the colors are all weird.

Everything's purple and green. Weird noises like microphone feedback.

Xander pushes his way past students talking in the halls. Looking over his

shoulder, he can maybe see something through the other students' legs,

chasing him.)

XANDER

Giles.

(Giles is leaning against a wall, dressed casually, holding an apple.)

GILES

Xander, what are you doing here?

XANDER

What's after me?

GILES

It's because of what we did, I know that. (Takes a bite of the apple)

XANDER

(shakes his head in confusion) What we did?

GILES

Hm. Now, the others have gone on ahead. (Points down the hall.) Now,

listen very carefully. Your life may depend on what I'm about to tell you.

You need-

(Giles' voice changes to a man speaking French. Sounds like the voice on a

tape in a beginning language class. Giles continues talking and gesturing,

but what we hear is the French.)

GILES

(French)

XANDER

What? Go where? I don't understand.

GILES

(??) Ce n'est pas le temps pour des jeux. [This is not the time for

games.]

(Anya approaches.)

ANYA

Xander. (Fake French woman's voice) Il faut que tu viens avec nous

maintenant. On t'attends. [You have to come with us now. They're waiting

for you.]

GILES

C'est que j'ai vous dire. [That's what I said.]

XANDER

Honey, I don't... I can't hear you.

(Anya takes his hand.)

ANYA

C'est pas importante. Je t'escorte. [It's not important. I'll take you.]

GILES

Allons-y la. [Let's go.]

(Giles also takes Xander's hand, trying to pull him down the hall. A random

guy goes by on a skateboard, pushes Xander down the hall)

XANDER

W-wait! Where we going? Where? (Looks over his shoulder as they

pull/push him down the hall. Struggles.) Hey! (People in the crowd pick him

up. In the crowd we can still see Giles with the apple in his mouth.) Let

go! Hey! (The final "Hey" echoes.)

(Fade to Xander in green army fatigues, hands cuffed behind his back,

moving through a forest. Asian-type music. Another guy in fatigues, holding

a gun, is guarding him. An image of Xander's face is overlaid over the left

half of the screen.)

(Fade to a dark room lit with red lights. Soldiers bring Xander in and he

kneels. There's a cot at the right with a person on it.)

XANDER

Well, the basement, mostly.

(Camera moving toward the person on the cot.)

(Shot of Xander looking toward the cot, a soldier guarding him in the

background. Xander nods.)

XANDER

Possibly.

(The person sits up partway and we see it's Principal Snyder, with a towel

around his neck.)

(Xander looks confused, alarmed.)

me. The hope of our nation's future is a bunch of mulch.

XANDER

You know, I never got the chance to tell you how glad I was you

were eaten by a snake. (Suddenly gets an "I shouldn't have said that" look

on his face)

(Snyder sits up slowly. His face is all sweaty.)

XANDER

(shrugs uncertainly) Well, I'm supposed to meet Tara and Willow.

(Shot of hands lifting a wooden bowl.)

XANDER

And possibly Buffy's mom.

(Snyder's hands lifting water from the bowl and pouring it over his bald head.)

XANDER

No, I'm just trying to get away. There's ... something I can't fight.

XANDER

(shakes head) I'm a comfortador.

(Snyder leans forward so his face is illuminated.)

mongrels and set on a sacrificial stone.

XANDER

(nods) I'm getting a cramp.

(He stands, looks around. He's somewhere else. Around a corner we see the

same dark-haired person/creature that previously attacked Willow. It's

crawling or crouching behind a trellis. It growls. Xander backs away. We

see he's in the courtyard outside Giles' apartment. He runs to Giles' door,

opens it, enters.)

XANDER

Giles, it's here!

GILES

It's more serious than we thought.

(We see Giles and Buffy and Anya looking at Willow, who's in a chair still

gasping and choking. They all ignore Xander. We hear what sounds like

helicopter noises.)

XANDER

Giles!

BUFFY

I can fight anything. Right?

ANYA

Maybe we should slap her.

(Xander runs past them, down the hall that should lead to Giles' kitchen,

but instead he comes out in Buffy's dorm. Students walking around,

chattering. Harsh, jangly rock music with the helicopter noise as the

percussion. Xander goes through the hallways and into Buffy and Willow's room.)

XANDER

Buffy?

(Hears growling behind him. He yanks open the closet door and goes in.

Fights his way past the clothes and is in a dark room, horizontal-striped

light like it's coming through Venetian blinds. He runs through dark

brick-lined hall, comes out in his basement again. Stops, looks around. The

music slowly fades out. There's still pounding on the upstairs door and the

knob rattling. He goes toward it, up a couple of stairs, shaking his head.)

XANDER

(whispers) That's not the way out. (The door bursts open. Xander

looks down at himself, then back up the stairs.)

(Xander looks chastised.)

(We see a man silhouetted in the doorway above. It's Xander's dad.)

crying her guts out!

XANDER

You don't understand.

The line ends here with us, and you're not gonna change that.

(Xander looking down, unable to look at his dad.)

(Suddenly Dad shoves his hand into Xander's chest. Xander looks down. The

hand is covered with rags. He looks up, scared. We get a brief glimpse of a

pair of feral eyes surrounded by dark stringy hair. Grey skin. The person

growls.)

(The hand pulls Xander's heart out of his chest.)

(Cut to the real Xander writhing and gasping in his sleep on the floor. Pan

across to Giles sleeping in the chair. Zoom in on Giles' face.)

Commercial.

(A pocket watch on a chain, swinging back and forth in front of a chest

wearing Giles' tweedy conservative clothes.)

GILES VOICEOVER

You have to stop thinking.

(Fade to Buffy's face, looking pleased. The reflection of the watch moves

across her face.)

GILES VOICEOVER

Let it wash over you.

BUFFY

Don't you think it's a little old-fashioned?

GILES

This is the way women and men have behaved since the beginning...

(We see Giles' apartment, with no furniture except one chair, which Buffy

is sitting on. Giles stands in front of her with the pocket watch.)

GILES

...before time. Now look into the light.

(Shot of the watch swinging.)

(Shot of Buffy's face. Suddenly she bursts out laughing.)

(Cut to a park at night. A hedge cut into the shape of an elephant, covered

with Christmas-lights. People walking around. We hear a circus huckster

calling out.)

(Buffy wearing overalls and pigtails, pulling Giles by the hand.)

BUFFY

Come on! Come on!

(We see Olivia walking beside Giles, pushing a baby carriage. But there's

no baby in it.)

BUFFY

We're gonna miss all the good stuff.

GILES

Well, it appears she's never heard the fable about patience.

(Buffy pulls them through crowds of people. Carnival booths, colorful lights.

GILES

The, the one about the fox, and the, uh, less patient fox.

BUFFY

(stops in front of a game booth) Here, I want to, I want to!

(Jumping up and down)

GILES

Yes, go ahead.

BUFFY

(turns to the booth. There's a big coffin with a fake-looking

vampire standing behind it.)

(Buffy throws a yellow ball at it, misses by a mile.)

GILES

(exasperated) Buffy, you have a sacred birthright to protect

mankind. (Buffy turns to look at him, pouting) Don't stick out your elbow.

(Olivia sighs)

(Buffy looks chastised. She picks up another ball.)

(Buffy throws, hits it right in the chest. It falls backward.)

(Buffy spins around, grinning with delight. Giles looks unimpressed.)

GILES

I haven't got any treats.

(Buffy turns to get some cotton candy)

GILES

(to Olivia) This is my business. Blood of the lamb and all that.

(Looks at Buffy) Oh, now you're gonna get that all over your face.

(Buffy turns. Her face is covered in mud. The color changes as if a

negative were inverted.)

(The color goes back to normal. Giles frowns in confusion. His face goes

blurry.)

GILES

I know you. (echoing)

SPIKE

(offscreen) Hey!

(Giles turns, sees Spike standing near the entrance to his crypt.)

SPIKE

Come on! (Gesturing) You're gonna miss everything! (Turns and goes

into the crypt.)

Cut to Giles entering the crypt. Crying noises. Candles are lit all around.)

GILES

Don't push me around. You know I have a great deal to do.

(We see Olivia sitting on a coffin next to the baby carriage, which is

lying on its side. She's crying.)

(Black & white shot of a bunch of people with cameras, and Spike looking

past them at Giles.)

SPIKE

I've hired myself out as an attraction. (Strikes a threatening pose.

The people ooh and ahh, camera flashes going off.)

(Color shot: Giles staring at Spike, Olivia still crying in the background.)

GILES

Sideshow freak?

(B&W shot: Spike flips up the collar of his coat.)

SPIKE

Well, at least it's showbiz. (Poses again. More oohs and camera

flashes from the crowd.)

(Color: Giles moves forward, looks in confusion at Olivia, back in Spike's

direction.)

GILES

(very confused) What am I supposed to do with all of this?

SPIKE

(offscreen) You gotta make up your mind, Rupes.

(B&W shot of Spike.)

SPIKE

What are you wasting your time for? (Pose, flashbulbs)

(Color: Giles turning to look at Spike again.)

(B&W shot of Spike.)

SPIKE

Haven't you figured it all out yet, with your enormous squishy

frontal lobes? (Another pose, more oohs, flashbulbs)

(Color: Giles walking across the crypt.)

GILES

I still think Buffy should have killed you.

(B&W: Spike looks annoyed. He strikes a Jesus-on-the-cross pose. Very loud

oohs, cameras flashing.)

(Color: Giles walking through crypt. The bald man stops him.)

(He has cheese slices on his head and shoulders. He slides past Giles.)

GILES

Honestly, you meet the most appalling sorts of people.

(He walks on. In the background we see Spike still in Jesus pose, more

flashbulbs going off.)

(Giles goes through a door and is in the Bronze. Young people talking,

laughing, drinking. The stage is lit, but there's no band, and we hear no

music. Giles walks over to a couch where Willow and Xander are sitting

looking at old magic books. Giles is suddenly holding a book.)

GILES

I'm so sorry I'm late. There's a great deal going on. And all at

once! (Goes to sit on a chair opposite them.)

(Willow nods.)

WILLOW

Don't we know it. Only at death's door over here, look at Xander!

(She pulls back Xander's jacket to show his ripped T-shirt and the bloody

stain on his chest from having his heart pulled out.)

XANDER

Got the sucking chest wound swingin'. (Points at it, then at the

stage) I promised Anya I'd be there for her big night. (Giles looks at the

stage) Now I'll probably be pushing up daisies, in the sense of being in

the ground underneath them and fertilizing the soil with decomposition.

(Shot of Giles' face in the foreground. In the background, we see Anya

standing on stage in front of the mike, holding some papers.)

ANYA

Okay. A man ... walks into the office of a doctor. (Willow and Xander

go back to their books) He's wearing on his head, um...

(Cut to Anya looking at her papers)

ANYA

Wait, there's, there's a, there's a duck. Is that right?

ANYA

Quiet! You'll miss the humorous conclusion.

GILES

She's doing quite well.

WILLOW

Do you know this is your fault?

(While Giles talks, we still see Anya in the background telling her joke.)

GILES

We have to think of the facts, Willow. I'm very busy. I have a gig

myself, you know.

WILLOW

(sighs) Something's after us. It's, uh, like some primal ... some

animal force.

(In the background we see Anya doing a funny walk.)

GILES

That used to be us.

XANDER

Don't get linear on me now, man.

ANYA

And ... then the duck tells the doctor that there's a man, that's

attached to my ass.

(Crowd laughs)

(Xander laughs)

ANYA

See, it was the duck, and not the man that spoke. (Smiles proudly.

Applause)

(Xander applauds. Willow is still looking at her book. Anya turns and

leaves the stage.)

WILLOW

Rupert. (Giles turns to look at her) You've gotta focus. You must

have some kind of explanation. If we don't know what we're fighting, I

don't think we stand a chance.

(Giles frowns, begins to sing.)

GILES

(sings) It's strange, it's not like anything we've faced before.

(He gets up. Suddenly there's a piano player and a guitarist onstage,

accompanying Giles' song. People applaud as Giles walks toward the stage.)

GILES

(sings) It seems familiar somehow. Of course!

(Drums start up. Giles grabs the mike. We see there's both a guitar and a

bass player. People cheer enthusiastically.)

GILES

(sings) The spell we cast with Buffy

Must have released

Some primal evil that's come back seeking (removes glasses)

I'm not sure what

Willow, look through the chronicles (Willow nods, reaches for another book)

For some reference

To a warrior beast

(He puts his glasses on, grabs the mike again. More excited cheering as the

music swells.)

GILES

(sings) I've got to warn Buffy

There's every chance she might be next

Xander, help Willow (someone sings harmony on this line)

(Shot of Willow and Xander holding up cigarette lighters while reading the

books.)

GILES

(sings) And try not to bleed on my couch I've just had it steam-cleaned.

(music slows)

(Shot of people in the audience smiling, swaying, holding up lighters)

GILES

(sings) No, wait...

(Loud feedback. The mike goes dead and the band stops playing. Giles looks

confused. He gets down on his knees and starts following the microphone

cord backstage. He traces it to a big pile of tangled cord, digs in it and

pulls out his pocket watch on its chain.)

GILES

Well, that was ... obvious.

(We see the dark-haired creature braced on the wall above him, holding a

weapon.)

GILES

I know who you are.

(Another shot of the creature. Its weapon looks like a stake.)

GILES

And I can defeat you ... with my intellect. (We see the creature

approaching from behind) I ... can cripple you with my thoughts. (It grabs

his hair, puts a weapon against his forehead) Of course, you underestimate

me. You couldn't know.

(Closeup of Giles' face with blood dripping down from his forehead. We hear

his voice but his lips don't move.)

GILES

You never had a Watcher.

(Cut to the real Giles sleeping on the chair, twitching, dropping his

glasses on the floor.)

Commercial.

(Fade in on Buffy sleeping on the sofa, covered with a green blanket. We

see that she still has the cut on her forehead that she got in "The Yoko

Factor.")

ANYA

(whispers offscreen) Buffy! Wake up!)

(Buffy opens her eyes. She's lying on her bed in the dorm room, on her

side, facing Willow's bed. The cut on her forehead is gone. She frowns.)

(Shot of Anya lying in Willow's bed, under the covers.)

ANYA

(whispers) Buffy, you have to wake up right away!

BUFFY

I'm not really in charge of these things. (Closes eyes)

ANYA

(anxious) Please wake up. Oh please.

BUFFY

(opens eyes) I need my beauty sleep. So stop it, okay? (Rolls over

onto her back)

(The creature is hanging from the ceiling above her. It snarls at her.)

(Cut to Buffy in her bed in Joyce's house, sitting up startled. The covers

are rumpled around her. She lies back.)

(Cut to Buffy standing in the doorway of the bedroom, looking at the bed.)

BUFFY

Faith and I just made that bed.

(Shot of the bed, still rumpled but now without Buffy in it.)

TARA

(offscreen) For who?

(Buffy frowns, looks to her left.)

BUFFY

I thought you were here to tell me.

(Shot of Tara with her hair up, facing Buffy.)

BUFFY

(looking back at bed) The guys aren't here, are they? We were gonna

hang out (looks at Tara) and, watch movies t-

TARA

You lost them.

BUFFY

No. (Looks confused) No. I think they need me to find them.

(Shot of the digital alarm clock next to the bed, showing 7:30 AM.)

BUFFY

(upset) It's so late.

TARA

Oh ... that clock's completely wrong. Here.

(Shot of Tara's hands holding out the Tarot card "Manus" (the hands). It

has a picture of two hands crossed, one open, the other balled into a fist.)

BUFFY

I'm never gonna use those.

(Buffy's face in profile. Tara's face out of focus in background.)

TARA

You think you know ... what's to come ... what you are. You haven't

even begun.

(Shot of the bed, now neatly made.)

(Buffy frowns.)

BUFFY

I think I need to go find the others.

(She leaves.)

TARA (softly) Be back before dawn.

(Fade to a school hallway. Can't tell if it's Sunnydale High or the

college. It seems to have elements of both. Buffy walks through the halls

wearing a flowered dress. She speaks to a random guy walking past.)

BUFFY

Have you seen my friends? (He shakes his head and walks on) They

wouldn't just disappear.

(She looks around, walks down the halls. We see a row of lockers. Suddenly

Buffy notices a hole in the wall. The plaster is torn back, revealing a

layer of bricks with a face-sized hole. She walks over to it.)

BUFFY

Mom?

(Joyce's face appears in the hole.)

BUFFY

Why are you living in the walls?

(Buffy frowns, tries to see inside the hole.)

BUFFY

It looks dirty.

I'm learning how to play mah-jongg. You go find your friends.

BUFFY

I, I think they might be in danger.

(Joyce starts to laugh. Buffy looks confused.)

BUFFY

I, I really don't think you should live in there.

(Suddenly she looks over and sees Xander climbing up some stairs. Looks

like the stairs leading to the library in UC Sunnydale.)

toward stairs. Joyce watches her go)

(Shot of Buffy's feet, wearing sandals, walking slowly down a hall.)

(Shot of two men sitting at a conference table, facing each other, in a

room with high ceilings and plain gray walls. On the left wall is a big map

of the world. On the right, a row of cabinets. There are two empty chairs.

In the foreground we still see Buffy's feet.)

(Man on the left speaks. It's Riley.)

RILEY

Hey there, killer.

BUFFY

(offscreen) Riley? You're back.

RILEY

I never left.

(Buffy's feet walk closer, as does the camera angle.)

BUFFY

(offscreen) But how did the debriefing go?

RILEY

I told you not to worry about that. It went great. They made me

surgeon general.

(Shot of Buffy looking surprised.)

BUFFY

Why didn't you come and tell me? We could have celebrated.

(Shot of Riley sitting in the chair, wearing a suit.)

RILEY

Oh. (Looks at the other man ) We're drawing up a plan for world

domination. (Looks back at Buffy, pleased.) The key element? Coffeemakers

that think.

(Buffy frowns.)

BUFFY

World domination? I-is that a good?

RILEY

Baby, we're the government.

(He swings around in his chair to strike a James Bond-like pose. The

camera shoots him from below, through the glass tabletop. On the table we

see a handgun.)

RILEY

It's what we do.

too, with no jacket.) It's understandable. Aggression is a natural human

tendency. (Looks at Buffy) Though you and me come by it another way.

(Shot of Buffy with the dark-haired creature behind her.)

BUFFY

We're not demons.

(Shot of Buffy. The creature is gone.)

RILEY

Buffy, we've got important work here. (Same camera angle on Riley,

the gun prominent in the foreground.) A lot of filing, giving things names.

BUFFY

(looks at other guy) What was yours?

Not a man among us can remember.

(Buffy looks around at the blue lighting. In the background we see shadows

moving; we hear noises like emergency doors slamming shut.)

RILEY

We better make a fort.

(Buffy looks very nervous. Shadowy figures behind her seem to be moving

closer. She looks down and sees her weapons bag lying at her feet. Looks up.)

BUFFY

(gasping anxiously) Wait! I have weapons!

She sits on the floor and opens the bag. It's full of mud. Buffy frowns,

putting her hands in the mud and moving them around. Lifts her hands,

covered in mud. Brings them up and smears the mud on her face. Reaches in

for more, rubs it all over her face as the colors invert again like a

photo-negative.)

(Suddenly the color returns to normal and Buffy looks up with her "I'm

gonna kick your ass" expression.)

RILEY

(offscreen) Thought you were looking for your friends. Okay, killer...

(Shot of Riley wearing regular civilian clothes)

RILEY

...if that's the way you want it. I guess you're on your own. (Walks

off.)

(Buffy's still on the floor in the gray room surrounded by blue light.

Suddenly a beam of sunshine lights her. She gets up and walks off.)

(Fade to Buffy's feet walking along a hallway, which turns to rippled sand

like on a beach. She walks past a palm tree and is in the desert from

before: rocks, scraggly bushes, sand. Again we hear the woman humming.

Buffy walks down a hill. The camera zooms out and we can see more of the

same landscape with mountains in the distance. A breeze ruffles her hair

and dress.)

BUFFY

I'm never gonna find them here.

(She looks up and sees Tara far off, walking toward her. Tara has her hair

up, wears a long pink skirt and matching top that exposes a lot of her

stomach.)

TARA VOICEOVER

Of course not. That's the reason you came.

(Tara fades out and reappears closer, then this repeats. She stops walking.)

(Shot of Buffy and Tara standing about thirty feet apart, facing each other

with miles of desert stretching out behind them.)

BUFFY VOICEOVER

You're not in my dream.

TARA VOICEOVER

I was borrowed.

(Shot of Tara standing with big rocks behind her. She wears a gold necklace.)

TARA

Someone has to speak for her.

(Shot of Buffy standing with rocks, bushes and mountains behind.)

BUFFY

Let her speak for herself. (We see the dark-haired creature walking

up behind her.) That's what's done in polite circles.

(The creature moves around to in front of Buffy and we finally get a good

look at her. It's a dark-skinned woman with dreadlocks and long sharp

fingernails. Her face is painted with white or grayish paint, lines of

black paint across her eyes, and she wears rags. She crouches low and walks

around Buffy like a wild animal. She looks like a cavewoman.)

BUFFY

Why do you follow me?

(The woman shakes her head.)

TARA

(offscreen) I don't.

BUFFY

Where are my friends?

(Shot of the woman backing away from Buffy, still crouching down low.)

TARA

(offscreen) You're asking the wrong questions.

BUFFY

(firmly) Make her speak.

(The woman shakes her head again.)

TARA

(offscreen) I have no speech. No name. I live in the action of death,

the blood cry, the penetrating wound. (The woman straightens up and looks

Buffy in the eye.)

TARA

I am destruction. Absolute ... alone.

(Buffy frowns.)

BUFFY

The Slayer.

(The other woman looks at her.)

Tara

(offscreen) The first.

(Shot of Buffy's hand, holding a bunch of Tarot-shaped cards. In the one on

top we see a scene of Giles, Buffy, Willow, and Xander in Joyce's living

room watching TV.)

(Shot of Buffy looking at the card in her hand, with the mountains behind her.)

BUFFY

I am not alone.

(Shot of Tara in the background, the First Slayer in the middle ground, and

Buffy's back in the foreground.)

TARA

The Slayer does not walk in this world.

BUFFY

I walk.

(Side shot of the three of them.)

BUFFY

I talk. I shop, I sneeze. I'm gonna be a fireman when the floods

roll back.

(Shot of the First Slayer lifting her chin in anger.)

BUFFY

(offscreen) There's trees in the desert since you moved out. (The

First Slayer shakes her head) And I don't sleep on a bed of bones.

(Shot of Buffy's face.)

BUFFY

(firmly) Now give me back my friends.

(The First Slayer speaks in a very low, hoarse voice.)

(Shot of Buffy watching her.)

(The bald guy leans in between Buffy and the First Slayer, holding up two

slices of cheese. He grins and shakes the cheese at Buffy, then retreats

offscreen.)

BUFFY

That's it. I'm waking up.

(The First Slayer attacks her, pushes her to the ground and tries to bash

her head on it. African drum music begins.)

(Buffy rolls the First Slayer off her and kicks at her. They both get up.

The First Slayer punches her.)

(Long shot of Buffy falling backward from the punch, slow-motion. No music.)

(Music resumes and the action returns to real-time. The First Slayer tries

to punch down but Buffy rolls to her feet and kicks her in the back. She

kicks again but the First Slayer ducks. Buffy punches.)

(Long shot of the First Slayer falling backward from the punch,

slow-motion. No music. The first Slayer starts to get up.)

(One last drum-beat as the action returns to real-time. The First Slayer

gets up. Faceoff.)

(Shot of Buffy shaking her head.)

BUFFY

It's over. (Woman humming begins again. First Slayer shakes her

head) We don't do this any more.

(Drums begin again. The First Slayer grabs her again and they roll down a

sandy hill, clutching each other and rolling over and over as the drums

continue.)

BUFFY VOICEOVER

Enough!

(Cut to Buffy waking up on Joyce's floor. She lifts her head and looks

around. Pan across Giles, Willow and Xander sleeping in their spots. Buffy

groans and starts to get up.)

(Growl.)

(The First Slayer lands atop Buffy and starts stabbing repeatedly at the

floor with her stake. Shot of Buffy lying underneath the First Slayer,

rolling her eyes.)

BUFFY

Are you quite finished?

(First Slayer pulls her stake out of the floor.)

BUFFY

It's over, okay? I'm going to ignore you, and you're going to go away.

(The First Slayer pulls back and Buffy sits up, then stands.)

BUFFY

You're really gonna have to get over the whole ... primal power

thing. (walks toward the sofa)

(Shot of the First Slayer staring at her.)

BUFFY

(over her shoulder) You're *not* the source of me.

(She picks up her blanket and sits back down on the sofa next to Willow.

Another shot of the First Slayer staring at her.)

BUFFY

Also, in terms of hair care, you really wanna say, what kind of

impression am I making in the workplace? 'Cause-

(Cut to the real Buffy waking up on the sofa. The cut on her forehead is

back. She looks around.)

(Shot of all four of them. Giles, Willow and Xander awake at the same

instant. They all sit up and look at each other.)

(Fade to the four of them sitting around the kitchen table.)

WILLOW

The First Slayer. Wow.

XANDER

Not big with the socialization.

WILLOW

Or the floss.

GILES

Somehow our joining with ... Buffy and ... invoking the essence of

the, the Slayer's power was an affront to the source of that power.

BUFFY

You know, you could have brought that up to us *before* we did it.

GILES

I did. I said there could be dire consequences.

BUFFY

Yes, but you say that about chewing too fast.

(Joyce enters, wearing a bathrobe.)

WILLOW

The spirit of the first Slayer tried to kill us in our dreams.

(Everyone says "yeah" or "yes please.")

XANDER

Yes, what, Joyce? (Nervously) Uh ... Buffy's mom.

XANDER

Yes. Sure. (Nervously) Buffy's mom.

Giles (to Buffy) You all right?

BUFFY

Yeah. I think I might jump in the shower.

GILES

You seem a bit, uh...

BUFFY

A little. (Pensive) The First Slayer. I never really thought about

it. (Sighs) It was intense. I-I guess you guys got a taste of that, huh.

(Willow nods.)

XANDER

Yeah, from now on, you keep your Slayer friends out of my dreams.

Is that clear?

(Buffy smiles.)

WILLOW

It's not good for the sleepin'.

(Giles shakes his head in agreement.)

BUFFY

Ah... (Gets up) Well, at least you all didn't dream about that guy

with the cheese. (Walks off.)

(The others look up in surprise.)

BUFFY

(offscreen) I don't know *where* the hell that came from.

(The other three look at each other.)

(Cut to Buffy emerging from the stairs into the upper hallway. Walks down

the hall toward the bathroom. Frowns, turns, looks into her bedroom. Walks

into the doorway, looking at her bed.)

TARA VOICEOVER

You think you know ... what's to come ... what you are. You

haven't even begun.

(Long shot of the darkened bedroom, with Buffy framed in the doorway. She

slowly backs away, turns and walks out of sight.)

Executive Producer Joss Whedon.

End